Darksiders III anunciado PS4/PC/ONE 2018

Gunfire Games has a unique name for Darksiders 3 internally - a phrase I heard multiple times during my visit to Austin: Classy-Siders. The latest iteration of the franchise is undoubtedly an extension of those that came before it - our new protagonist, Fury, looks like shed fit perfectly in a family photo next to the original games hero, War, with a frantic assortment of aggressive looking skulls across her armor. Its still a post-apocalyptic, hacknslash, action-adventure, too, with a combat speed somewhere in between the first and second game, but theyve put a focus on trying to make things less game-y.

First things first, check out some brand new screenshots below:

Similar to the way Zelda expanded on its own core concepts in Breath of the Wild, if a puzzle exists in Darksiders 3, it should make sense in an environment rather than being a trap some unseen character inexplicably laid out for the player for no logical reason. Dont expect any gated combat, and enemies (some of which existed in previous games, some of which are brand new) should feel a lot more like they belong in the world natively, rather than just popping up inconveniently to fight you. Yes, therell still be collectibles creatively scattered throughout the world, but no out-of-place chests, and, ultimately, every inch of the world should feel more contextualized if all goes according to Gunfires plan.

That same ideology seems to echo throughout each level, in a world that is supposed to be fully connected and realized, without any hard loads. If you take an elevator down to a different environment, the one you came from really is the height of that elevator away from you. Its supposed to be a physically, logically connected open-world, and in part because of that, itll also have a whole lot of swiss cheese game design - basically, the idea that you should be able to see glimpses of environments youve already been to, or ones youve yet togo to as you traverse, like through the holes in swiss cheese. Based on the tiny chunk that I played, it made me want to explore everything so much more than I would have otherwise, because you can always see the next thing, just out of reach.

Dungeons are supposed to be much more inter-connected, too, with the whole game world almost acting as one giant dungeon. It is still linear in terms of story progression, though less so in terms of the actual timeline. Darksiders 3 will take place around the same time as Darksiders 2, with Death very far away, War still locked up by the Charred Council, and Fury sent to Earth to take down the physical embodiment of the Seven Deadly Sins who broke out of their prisons during the apocalypse. We only saw one of the Seven, Sloth, who appeared as a giant, grotesque bug with a posse of smaller ones carrying him around on a chair, fitting with the sins inherent laziness.

Each of the environments is set to be shaped by each unique boss, too, like their own versions of terraforming. As I delved further into Sloths section of the map, things got murkier, and bugs started showing up more and more often. In that, each environment is intended to be reflective of the Sin that inhabits it, or the character that does. One particular area, called Haven, is entirely shaped by the gorgeous, enormous tree that sits perched and glowing in the middle. Its a relatively safe area, and the roots that tendril their way through the city slowly get thicker towards the center, which presents its own creative navigation tool.

Its also just pretty overall, though it still maintains that unique, classic Darksiders art style, and with an immediately noticeable increase in verticality versus previous games. Darksiders 3 is the first in the series to run on Unreal rather than an internally built engine, and subtleties like water, lava and lighting particularly had noticeably improved. I didnt get to explore the world anywhere near as much as Id have liked, but did get to see what looked like a series of skyscrapers floating on clouds in the sky, a damp-looking, swampy area, and a fiery hollow - each of which seemed to exist exactly where it should in terms of verticality, with the hollow being far below the rest.